darksilenceinsuburbia:

Rafa Zubiria. From No Way Home Series.

Rafa Zubiria is a photographer, collagist and videographer in Spain. This particular series of images called is “No Way Home”. According to the artist the series represents that point in life when you realizes that, what you always thought of as home is no longer your home. There is a break with the past that cannot be recovered… (by David carmack Lewis)

http://www.rafazubiria.es/

aquaticwonder:

Silent World 2011 (set) by Thomas Leong

chriswallace4:

Shanghai Dream. 

(Source: midnight-gallery)

anitaleocadia:

Takashi Hirano

(via http://pinterest.com/pin/243827767295730987/)

"Después de un tiempo,
uno aprende la sutil diferencia
entre sostener una mano
y encadenar un alma,
y uno aprende que el amor
no significa acostarse
y una compañía no significa seguridad
y uno empieza a aprender.
Que los besos no son contratos y los regalos no son promesas
y uno empieza a aceptar sus derrotas con la cabeza alta y los ojos abiertos y uno aprende a construir
todos sus caminos en el hoy,
porque el terreno de mañana
es demasiado inseguro para planes…
y los futuros tienen una forma de
caerse en la mitad.
Y después de un tiempo
uno aprende que si es demasiado,
hasta el calorcito del sol quema.
Así que uno planta su propio jardín
y decora su propia alma, en lugar
de esperar a que alguien le traiga flores.
Y uno aprende que realmente puede aguantar,
que uno realmente es fuerte,
que uno realmente vale,
y uno aprende y aprende…
y con cada día uno aprende."

Jorge Luis Borges  (via kein-engel)

(Source: paydeflan)

welovepaintings:

Thomas Kennington
Great Britain 1856-1916
Homeless 1890
oil on canvas
170.0 x 152.0 cm

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Homeless, 1890, is one of a series of works in which Kennington depicts the plight of women and children who were impoverished or destitute. Subjects such as these gained popularity during the 1870s and 1880s, partly as a result of the increasing influence of illustrated journals, which regularly commisssioned artists to provide images of ‘real’ life.

In Homeless, the square-brush technique used by Kennington in painting the wet pavement and the river, and his focus on subtle tonal variations rather than on colour - as in the soft grey light illuminating this scene - were among the characteristics adapted by British artists from French sources at the time.

CultureVictoria

arpeggia:

Underwater Photography by Zena Holloway

"Pain is important: how we evade it, how we succumb to it, how we deal with it, how we transcend it."

Audre Lorde  (via levaduraa)

(Source: loveyourchaos)

(Source: inspiration-files)

insidedannyrobertshead:

in a fog

liquige:

blurr

(Source: cylindricalmess)

"Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep."

Scott Adams (via showslow)

(Source: devidsketchbook)

bluprint:

A project by Viktor Hertz is an idea for a series with honest logos, revealing the actual content of the company, what they really should be called. Some are cheap, some might be a bit funny, some brilliant. You decide.